March 10, 2012 by Ali...oops
Swamp Thing #7 (Comic Review)
Scott Snyder (writer), Yanick Paquette (pencils, inks), Nathan Fairbairn (colours), Travis Lanham (letters), Paquette & Fairbairn (cover) $2.99
It may have taken seven issues, but we finally have our Swamp Thing. However, if you were complaining about not seeing our monster-hero of the Green until now, then I’d have to question if you’ve been reading the same series of Swamp Thing that I have.
Scott Snyder has built this series up without the “hero” being present, yet still drew in readers each month. How? He created a world where a hero was needed by keeping the soon-to-be Swamp Thing – Alec Holland – human. He re-established the story for new readers, while keeping it still interesting enough for older ones to want to come back to read. Building suspense and story along the way, the true horrors of the Rot were what kept everyone coming back. Each issue would end with the reader asking, Where is our hero? Not because Swamp Thing wasn’t there, but because there was no glimmer of hope left for the world.
Issue seven brings Holland with his last breath of air – the Rot has overcome him while the Parliament of Trees die, condemning Holland for not becoming the Swamp Thing sooner. Scott Snyder makes Holland remain human as long as possible not only to make his inevitable change into Swamp Thing that much more important, but to give the fear behind the series that much more power. The assimilation of the Rot, the terror it brings, and the death it creates – all of it boils into the climatic moment where Holland finally accepts his fate.
To sharpen the point, Yanick Paquette completely obliterates any sort of safe feelings with his artwork. An acid trip with trees and fire, Paquette truly adds depth and chaos to the story with his impeccable take on the nature Snyder built. Details are unbarred – the grit, the grain, the green – all building to the single-page awakening of the Swamp Thing puts any panels he’s done prior in this series to shame.
Colors are absorbent with rich shades of greens and stings of orange. The balance of colors for Fairbairn are something to strive for as a colorist. Even with such a limited color palette, the book glows with emotion and power.
As if they were meant for each other, Snyder, Paquette, and Fairbairn meld their story-telling into something glorious.
And that something glorious, to paraphrase Snyder is: “The monster.”